Charles E. Brown

Archive for July, 2011

Beethoven Symphony Recordings

by on Jul.27, 2011, under Music, Recordings

As a classical musician, and listener, I have one main criteria for any performance: Teach me something new about the work. If you are going to travel down well-worn roads why bother?

One of my loves in life is listening to Sirius-XM Radio.  I have it on my computer and in my car. They never fail to find the best of performances.

There is no work more over-played and associated with classical music than the Beethoven 5th Symphony in C-minor. I have heard hundreds of good and bad performances of this work over many years. However I have never heard a performance of this symphony like I heard on the radio 2-days ago.

The performance was conductor Sir Roger Norrington conducting the Radio-Sinfonieorchester Stuttgart orchestra and released in 2002. I felt like I was hearing the work for the first time.

Norrington conducts with a VERY brisk tempo. But instead of sounding rushed he brings out a lot of rhythmic vitality and excitement. He also brings out remarkable inner voices that I had never paid attention to before.

I had to pull into the parking lot of my destination and hear the rest of the performance. When I got home I jumped into iTunes to sample the recordings of the other 8 symphonies. I purchased them all (should I join Spotify?).

Whether you just want a good recording of a well-known work, another set of the Beethoven Symphonies, or a first complete set, I cannot recommend these recordings highly enough. Just a suggestion: get the 2002 releases rather than his earlier ones.

Thank you to Sirius radio for introducing me to these wonderful works.

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OS x Lion

by on Jul.21, 2011, under Technology

I spent the better part of yesterday, 7/20, installing Mac OS x Lion. Overall, while long, it was a very smooth process. The download, which was 3.75 GB, took about 2-hours. I have a pretty high-speed connection. I suspect Apple’s servers were on overload. The actual install on my 3.06 GHz duel Core 2 Dual machine was about 40 minutes. Everything went without a hitch. Once that was installed, I got hit with a number of other updates. For instance Apple, as a separate update, updated iTunes and iWork. I also had to update Parallels and several smaller programs. But then I had to update XCode; which, interestingly, is now FREE in the App Store. That is another 3.75 GB download. Bottom-line, about 5-hours in updates.

I will go on record now as saying that I like Lion. At first look, it does not look like there were a lot of changes. However, once you dig into the nuts and bolts you see some substantial differences. Gestures take some getting used too because it is the opposite of past gesture patterns. The Launchpad feature is really nice and, combined with gestures, is a fast way to get to apps. I do not like the fact that the dashboard is on its own panel. I liked the clear popup in Snow Leopard. Email looks really nice now. I am happy to report that all of my programs seem to be running fine in it.

I will post here as I come across features.

I am off to update my Macbook Pro today.

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What Does Obama Stand For?

by on Jul.19, 2011, under Politics

I just did a little research on some of Obama’s past statements and came up with some interesting information.

In 2006 he voted against raising the debt ceiling. He even made a speech calling for “fiscal sobriety”. Yet at the time the debt was $5-trillon less than what it is now with a relatively healthy economy.

Just this past December he told us that it was “unwise to raise taxes in times of uncertainty”. Yet, when has it been more uncertain than today?

Just last week he told us about “eating our peas” and the importance of a balanced budget. But he has introduced legislation, including Obamacare, that clearly has increased the deficit.

What explains these inconsistencies? I think what we are seeing is his inexperience coming out with ad hoc policies. In other words he is making it up as he goes along. We certainly have seen that in other policies such as Guantanamo. When it comes to his pet programs he has no trouble with raising taxes and, subsequently, raising the debt ceiling while being against any potential cuts.

I have to wonder how much polls play a role in his policies.

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Practice Technique

by on Jul.18, 2011, under Music, Practice technique

Vladimir Horowitz and Virgil Fox were very different musicians other than the fact that one was a pianist and the other an organist. Yet. remarkably, both were very slow learners and both had a very similar practice technique. These practice techniques were painstakingly meticulous and slow. These same techniques can be used whether one is learning how a Bach Organ Fugue, an early Haydn sonata, or Ravel’s Gaspard de la Nuit.

Here is a summary of the technique:

1. Start with a vision. Even if it takes weeks before taking the work to the keyboard, think it through and set how you want it to sound in your mind.

2. Start by setting the metronome to a tempo so slow that you can play through the entire movement, or section, perfectly. I have started many a major work with the metronome set at 32nd note = 40. It takes forever to play, but is worth the detail.

3. If you are pianist practice without pedal. If you are an organist, practice each stop change and swell manipulation as if it were notes in the score so that the mechanics move properly.

4. Even if practicing late romantic works, do not use a pure legato. Instead, use a good articulation with a slight gap between notes at a slow tempo. As tempo increases you will get a natural sounding legato.

5. Lift and attack notes simultaneously. Do not be sloppy about it. What would happen if the notes under your fingers were a chorus where each member cut off and came in at different moments?

6. Even at ridiculously slow tempos, try to get a musical sound.

7. Do not increase the tempo until you can play the movement, or section, through perfectly twice. Only then increase the metronome by one notch.

8. At each stage analyze the structures, phrasing, and musical possibilities.

9. When getting to faster tempos it may be necessary to back the metronome back a few steps when beginning practice.

10. Never play a composition in public until you have it memorized at least 2-months in advance.

I hope these steps help you develop a good practice technique early on. I use it to this day and it always works.

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